The City as Subject: Public Art and Urban Discourse in Berlin


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Description

In The City as Subject, Carolyn S. Loeb examines distinctive bodies of public art in Berlin: legal and illegal murals painted in West Berlin in the 1970s and 1980s, post-reunification public sculptures, and images and sites from the street art scene. Her careful analyses show how these developed new architectural and spatial vocabularies that drew on the city's infrastructure and daily urban experience. These works challenged mainstream urban development practices and engaged with citizen activism and with a wider civic discourse about what a city can be.

Loeb extends this urban focus to her examination of the extensive outdoor installation of the Berlin Wall Memorial and its mandate to represent the history of the city's division. She studies its surrounding neighborhoods to show that, while the Memorial adopts many of the urban-oriented vocabularies established by the earlier works of public art she examines, it truncates the story of urban division, which stretches beyond the Wall's existence. Loeb suggests that, by embracing more multi-vocal perspectives, the Memorial could encourage the kind of participatory and heterogeneous construction of the city championed by the earlier works of public art.


Author: Carolyn S. Loeb
Publisher: Bloomsbury Publishing PLC
Published: 08/24/2023
Pages: 288
Binding Type: Paperback
Weight: 0.88lbs
Size: 9.21h x 6.14w x 0.60d
ISBN13: 9781350258648
ISBN10: 1350258644
BISAC Categories:
- Art | Public Art
- Art | Art & Politics
- History | Europe | Germany

About the Author
Carolyn S. Loeb is Associate Professor Emerita in Art & Architectural History in the Residential College in the Arts and Humanities at Michigan State University, USA. She has published on public art and urban redevelopment in Berlin, among other subjects.

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